Mike Nichols : sex, language, and the reinvention of psychological realism

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Mike Nichols

Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism argues that he overhauled the style of psychological realism, and, in doing so, continues to shape the legacies of Hollywood cinema. It also reveals that misreadings of his films were central to foundational debates at the emergence of Cinema Studies as a discipline, inviting new reflections on critical dogma.


  • Mike Nichols Sex Language And The Reinvention Of Psychological Realism.
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Focusing on Nichols' classic movies, as well as later films such as Silkwood, The Birdcage, and Angels in America, Kyle Stevens demonstrates that Nichols' realism lies not in the plausibility of his characters but in their inherent mystery. By attending to the puzzling words and silences, breaths and laughter, that comprise these characters, Stevens uncovers new insights into the subversive potential of a range of cinematic elements, and reveals how Nichols' satirical oeuvre, and Hollywood itself, participated in several of the nation's most.

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    ISBN 13: 9780199375813

    Focusing on Nichols' classic movies, as well as later films such as Silkwood, The Birdcage, and Angels in America, Stevens demonstrates that the realism of Nichols' characters lies not in the plausibility of their actions but in their inherent mystery: the way they exhibit the unknowability of the contents of other minds. By attending to the puzzling words and silences, breaths and laughter, that comprise Nichols' characters, Stevens uncovers new insights into the subversive potential of improvisation, close-ups, chameleonic stars, and satire. Ultimately, from the Free Speech Movement to feminism to the linguistic turn, Stevens reveals how Nichols' oeuvre, and Hollywood itself, participated in several of the nation's most urgent social, political, and philosophical advances.

    Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism argues that he overhauled thestyle of psychological realism, and, in doing so, continues to shape the legacies of Hollywood cinema. It also reveals that misreadings of his films were central to foundational debates at the emergence of Cinema Studies as a discipline, inviting new reflections on critical dogma.

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    Focusing on Nichols' classic movies, as well as later films such asSilkwood, The Birdcage, and Angels in America, Kyle Stevens demonstrates that Nichols' realism lies not in the plausibility of his characters but in their inherent mystery. By attending to the puzzling words and silences, breaths andlaughter, that comprise these characters, Stevens uncovers new insights into the subversive potential of a range of cinematic elements, and reveals how Nichols' satirical oeuvre, and Hollywood itself, participated in several of the nation's most urgent social, political, and philosophicaladvances.

    All are invaluable sources of our knowledge of the lives and characters of Greek and Roman statesmen, soldiers and orators.