Practical Mono (Experts Voice in Open Source)

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Practical Mono by Mark Mamone

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Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Practical Mono by Mark Mamone. Practical Mono by Mark Mamone. Practical Mono offers a detailed portrait of Mono and its many facets. By embracing this implementation, you can take advantage of the powerful development paradigm, building Internet-enabled cross-platform applications based Practical Mono offers a detailed portrait of Mono and its many facets. By embracing this implementation, you can take advantage of the powerful development paradigm, building Internet-enabled cross-platform applications based on open source technologies.

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This book includes a primer on C , so even if you're a novice. NET programmer, you will still gain plenty from this practical guide. Get A Copy. NOTE: We are unable to offer combined shipping for multiple items purchased. This is because our items are shipped from different locations. Please contact Customer Services and request "Return Authorisation" before you send your item back to us.

Unauthorised returns will not be accepted. Returns must be postmarked within 4 business days of authorisation and must be in resellable condition. Returns are shipped at the customer's risk. We cannot take responsibility for items which are lost or damaged in transit. For purchases where a shipping charge was paid, there will be no refund of the original shipping charge. It can make the effects sound like this also. The microphone is the first device to capture the source material into the sound system.

Using quality microphones makes a very positive difference to the over all system. Vocal microphones should have built in wind screens. Wind screens are not needed for instrument microphones. Pulpit microphones are great for a permanently mounted microphone. They have a very small profile and a huge sound. Choir microphones are similar to pulpit microphones but hang from the ceiling over the choir. Wireless microphone come in hand held and lavaliere types.

A minister may want to use a lavaliere wireless so they can be free to move around.

These also work well with drama members. A hand held wireless microphone works well soloist, guest singers, or events where the mic needs to be passed around. Professional microphones are wired as low impedance. Low impedance wiring allows for longer cables and lower noise. Obviously microphones are used for speakers and singers but they are also used for certain instruments. Instruments that may require a microphone include acoustic guitars, guitar amps, piano, drums etc. When you mic an instrument, the position of the microphone will make a big difference.

It is usually trial and error to find the best microphone position.

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In general, positioning the microphone as close as possible to the source is best. The closer the microphone is to the source, the better capture of the source and the better noise rejection of nearby sound sources. Placing the microphone too close to a really loud source could cause distortion. If the source is loud enough to do this, it may not need a mic or the microphone can be placed farther away.

Practical Mono

More and more, churches are investing in larger sound systems that are very sophisticated. To gain more control over the entire sound, instruments are being sent through the sound system giving the sound person complete control over the mix. If however, an instrument is weak in volume compared to the mix in the system, it may need a microphone to help it balance to the other instruments. Another technique being used is to add an instrument into the sound system to make is quieter. For example, say the electric guitar player tends to play too loud, you can have him or her face their amp to the back of the stage with a microphone on it.

This way, the amplifier acts as their monitor and the sound system can put the proper amount of guitar into the mix out front. The drums can be isolated acoustically with clear plastic dividers and adding microphones behind the plastic allows the sound person to bring just the right amount of drum volume into the mix.

This also accounts for the growing popularity of electronic drums, which make no sound outside its electronic outputs connected to speakers. In large churches, some instrument speakers may even be located off stage with a microphone. An example might be locating the Organ Leslie speaker off stage and placing two microphones on it, one for the top rotor and one for the bottom rotor.

Now in this case, remember the organist still needs to hear the organ in order to play it so a very strong monitor will be necessary. Then use the input gain controls to reach a basic balance or mix. Then use the faders to fine tune the mix. While playing music through your system, adjust the amplifier volume controls so that your mixer output levels will be set where the output meters give a good reading.

A Master Class in speaker placement

Check out the following Link from Rane. When adjusting the tone controls, always try to reduce an unwanted band rather than boost one. For example, if the bass is weak, try reducing the treble a little and compensate by turning up the fader. Also, use the tone controls minimally. Too much adjustment creates more distortion of the signal. A very handy type of tone control is the sweep-able controls. A very quick fix for feedback is to set the sweep gain high, and slowly turn the frequency control until you find the feedback spot.

Then turn down the gain to cut that frequency. For a vocal track I like to boost the sweep gain and slowly turn the freq to find the spot where the vocalist sounds crisp and airy. Then cut the gain back for a more modest boost. Each channel has an effects send control Some have more than one which allow you to send an amount of each channel to the effects processor.

For example, a singers voice may be enhanced by adding a touch of reverb.

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An acoustic guitar can be enhanced by adding a little chorus. If you have two sends per channel, you could have different effects on each send. Keep in mind that effects are easily over used and not always needed.